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Resume

Experience

Animal Logic

Role: Senior Compositor
Film: Peter Rabbit
Duration: 08/2017 - present
Description: At Animal Logic I perform senior tasks such as look development, setting up 3D environments for sequences, and handling some of the more challenging shots.

Tippett Studio

Roles: Compositor / Environment Artist / Nuke Tool Developer
Films: Ted 2, Anwei Flying Dream (a 180-degree ride film), Monster Strike, League of Gods, Lemony Snicket and a Series of Unfortunate Events (Netflix series)
Duration: 02/2015 - 02/2017
Description: At Tippett I primarily worked as a compositor, however occasionally I was a matte painter or Nuke tool developer. One of my favorite contributions is a tool that converts the position pass into a normalized image so artists can quickly add atmospheric effects. I also contributed to an ambitious project as a matte painter, where we created a fully-CG, photo-realistic theatrical film ride designed for a 180°-degree screen. We used the new 3D rendering software, Clarisse, to handle the large 6k-square format.

Scoundrel Inc.

Role: Senior Compositor
Films: Deliver Us From Evil, Think Like a Man 2, The Wedding Ringer
Duration: 10/2013 - 08/2014
Description: At Scoundrel I worked as a Lead Compositor where I setup comp templates, developed Nuke tools, and supervised a small team.

Evil Eye Pictures

Roles: Compositor, Matte Painter, and Paint Artist
Films: The Avengers, Oz the Great and Powerful, Thor 2, Ghost Rider: Spirit of Vengeance,
Duration: 08/2011 - 08/2013, 04/2017 - 05/2017
Description: At Evil Eye I gained experience on some of my highest profile projects including The Avengers, Oz the Great and Powerful, and Thor 2.

ImageMovers Digital

Role: Junior Matte Painter
Films: A Christmas Carol, Mars Needs Moms
Duration: 05/2008 - 05/2010
Description: At Imagemovers Digital I created 3D matte paintings for fully CG, stereoscopic films. I also contributed some compositing and concept art.

Freelance

Role: Compositor and Matte Painter
Films: Captain America, Red2, Synecdoche NY, Planet Dinorsaur
Duration: various short-term contracts (about 2-6 months) between employment at the companies above

Skills


Advanced: Nuke compositing, look development, CG compositing, deep compositing, Nuke gizmos, Nuke’s 3D environment, set extension

Intermediate: Matte Painting, tool development, Python

Entry-level: Nuke plug-ins, C++, openCV (computer vision library)

Education

Academy of Art (2005-2007)

graduate studies in Visual Effects, found employment prior to graduation

Rhode Island School of Design (2001-2005)

undergraduate studies in Film/Video/Animation, graduated with honors